SMSL PS200 Review: Why DAC Chips Are NOT Everything
A $89 ESS-based DAC that measures fantastically but illustrates why specs aren't the whole story - it sounds fine, just not exceptional.
- Standout
- ES9039Q2M chip
- Watch out for
- All-plastic chassis
- Better alternative
- SMSL DL100: $90 more, scores 1.2 higher.

Named Best Budget in our Best DACs guide.
Some people think that the DAC chip is all that matters for sound in a DAC. Others argue the chips make no difference, and that it's all about the output stage, power supply, and filters.
The SMSL PS200 is a $90 tiny digital-to-analog converter that focuses exclusively on measurements. Is it a good approach?
A tiny plastic build in a reused shell
It's a very small, lightweight box. It can fit easily in the palm of my hand. It's so light that it's very easy for it to get pulled by the connected cables. It doesn't feel super fancy or anything. Likewise, it's made fully out of black plastic.
What's interesting, they used the same shell as on the PS100, to reduce manufacturing and R&D costs. On the front, there's a rectangular button used to control the DAC's inputs and power it on or off. The top of the unit features an engraved SMSL logo. It's one of my favorite ways of branding products. It looks way better than regular printed text or a logo.
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Four inputs and sensible RCA-only outputs
It uses a USB-C connector for power. No matter if you're also using it for data, it has to be plugged into a phone charger or some other form of linear PSU.
There's a USB 1.1 and 2.0 switch, made to increase compatibility with older devices and maximize performance with newer ones. Next to it, there's an optical input, which can be a good idea if you're trying to use it with a noisy source like a computer's motherboard. Toslink uses light as a form of communication - unlike electrons, it can't transfer any electrical noise.
Lastly, there's a regular coaxial input, going through an RCA plug. For the analog outs, we have a single-ended pair of RCAs. You can't expect such a small and inexpensive DAC to be balanced. Moreover, going single-ended cuts down on the cabling costs, as XLR cables tend to be significantly more expensive. It also makes the process easier for beginners - as they don't have to worry about so many things and make so many difficult decisions.
Finally, there's Bluetooth 5.0 for wireless audio.
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Measurement-first specs from an ES9039Q2M
The output voltage is flat 2 volts RMS, which is a standard for RCA. Its THD+N is at 0.0001%, or −118dB. The dynamic range and the signal-to-noise ratio are 123dB. It means one thing: the internals are not purposefully messed up, and it measures fairly well.
It can decode up to 768kHz PCM at 32-bit. The maximum DSD rate is very high - 512. For USB decoding, it uses a 3rd gen XMOS solution - I'm starting to see a pattern with the XU-316 chip. SMSL almost always uses this one. For digital-to-analog conversion, an ES9039Q2M chip is being used. That's a good chip, one of the higher-end ones from ESS. It also has 4 dual op-amp chips, presumably in the output stage.
Fine sound, until your system outgrows it
Looking at the measurements and the chips, which are both good, would indicate that it has to sound great. However, the truth is a little different.
Luckily, it doesn't sound terrible, wrong, or off in any way. In less resolving setups, DACs don't make such a huge difference that this device could be a limiting factor. At some point, I'm sure it is going to be. For example, my reference speaker setup, being quite resolving, shows clear signs of system mismatch. It doesn't make the sound unpleasant or collapsed, but I definitely wouldn't build such a system with high-end speakers, an expensive amplifier, and such a budget-oriented DAC.
On the other hand, the PS200 can do a fantastic job in many cases. Dedicated headphone amplifiers paired with budget to lower-medium range headphones or active speakers are some of them.
Regarding its sound characteristics: the tonality is just fine, with a slight bright tilt - it's important, as the perceived tonality itself is one of the bigger factors. Bass punch is also there - ESS chips tend to overemphasize it slightly, in my experience. Nonetheless, while this DAC can perform well in some aspects, it can't do everything.
The soundstage width doesn't seem to be super wide. It doesn't shrink it down a lot, but it does it a little bit. The sense of depth is also not there, but it's understandable, as that's something usually associated with high-end components.
Timbral accuracy is not bad, but it has a plasticky sound added to strings or brass sound sources.
If you feel like your HiFi system isn't worthy of a super expensive DAC, you care only about the measurements, or simply don't hear large differences between DACs, this one will be perfect for you. Especially since it offers lots of audio formats and connection possibilities, I'd consider it a perfect beginner-friendly option.
Compared with the PS100, DO100 PRO and DL100
If you're on a tight budget and would like to explore some more options from SMSL, there are quite a few.
First, their even cheaper PS100 is performing quite similarly. What you're losing with it is the ability to decode higher sampling rate and bit depth formats, DSD, MQA, and some sound fidelity. By that I mean the sound is less refined, more closed in, and less detailed. However, the output stage and other components must be similar enough in both PS100 and PS200, since they generally sound alike.
The DO100 PRO is a clear upgrade in almost every aspect - it sounds better, is built to a higher quality standard, has more functions, and has lots of input/output options. However, it costs more and is much larger. There's also the DL100, which can be the most interesting option.
Watch the video review
Subscribe on YouTube (opens in new tab)Prefer to read? The written review above covers everything in the video.
- 0:00 Is The DAC Chip Everything In A DAC? (opens in new tab)
- 0:26 Build Quality (Small Size, Low Weight, PS100 Shell, Stealth Logo) (opens in new tab)
- 1:10 Inputs & Outputs (USB-C Power, 1.1/2.0, Optical Toslink, Coaxial, Analog RCA, Bluetooth 5.0) (opens in new tab)
- 2:21 Technical Specification (Measurements, Output Voltage, THD+N, Dynamic Range, SNR, PCM, MQA, DSD, Output Stage) (opens in new tab)
- 3:29 Sound Quality (Resolution, Sound Stage, Punch, Sound Stage Width, Depth, Timbral Accuracy) (opens in new tab)
Common questions about the PS200
Is the SMSL PS200 worth $89?
It's a sensible $89 for a first system. The PS200 landed at 7.0/10, Recommended, with strong value, packing an ES9039Q2M chip, 0.0001% THD+N, 768 kHz PCM and DSD512 into a box that fits in a palm. What the money doesn't buy is sound to match the numbers: the stage is a little narrow and flat, and strings and brass turn plasticky.
Who is the PS200 a good match for?
Beginners, and anyone pairing it with a dedicated headphone amp and budget to lower-midrange headphones, or with active speakers in that tier. It also suits buyers who care mostly about measurements or don't hear big differences between DACs. Keep it out of a resolving system with high-end speakers and an expensive amp, where it shows clear signs of mismatch.
Should you buy the PS200, the PS100 or the DO100 PRO?
Pick the PS200 over the PS100 for higher sample rates and bit depths, DSD and MQA, and the DO100 PRO over both if money and desk space allow. The PS100 shares the PS200's shell and sounds alike, only more closed-in and less detailed. The DO100 PRO is a clear upgrade in sound, build, features and connections, though much larger, and the DL100 may be the most interesting option of all.
Does the PS200's ES9039Q2M chip make it sound great?
Not by itself. The PS200 carries one of ESS's higher-end chips and measures very well, with 0.0001% THD+N and 123 dB of dynamic range, yet it sounds fine more than great. The tone has a slight bright tilt and decent bass punch, but the stage is a little narrow with no real depth, and strings and brass take on a plasticky edge.
Why does the PS200 only have RCA outputs?
Because it's small and cheap, and a balanced design wouldn't fit either brief. Going single-ended also saves you money on cables, since XLR leads cost significantly more than RCAs, and it keeps things simple for a beginner with plenty of other decisions to make.
Should you connect the PS200 to a PC by optical?
It can help. A computer's motherboard is a noisy source, and Toslink carries the signal as light, so no electrical noise travels down the cable. The PS200's optical input sits beside a USB 1.1 and 2.0 switch that helps with older devices, and there's coax and Bluetooth 5.0 as well.
Does the SMSL PS200 need a charger?
It does. The PS200 draws its power through USB-C and has no battery, so it needs a phone charger or another supply plugged in. It's also light enough that its own cables can pull it around the desk.
Sources
- AES17: Measurement of digital audio equipment
Standard Audio Engineering Society Paid full text
Definitions of the SNR, THD+N and IMD figures that DAC and amplifier makers publish and those reviews quote. Nothing is bench-measured in-house.
- Reiss and Sandler (2004): Digital audio effects applied directly on a DSD bitstream
Paper DAFx, the Digital Audio Effects conference PDF
How a DSD bitstream carries audio in a single bit at a very high rate, and why it resists the processing PCM takes for granted.
Discussed in Measurement-first specs from an ES9039Q2M
- Stanford CCRMA: How many bits are enough for digital audio?
Reference Stanford University
How much dynamic range each bit of depth buys, and how many bits digital audio actually needs.
Discussed in Measurement-first specs from an ES9039Q2M
Alternatives to the PS200
All 8 DAC reviewsSimilar type and price
Fosi Audio ZD3 $60 more, a near-tie on score 7.1