Verum Audio Verum 1 Review: The Planar That's Scared of Treble
A $350 open-back planar that goes the opposite direction from most of the market - smooth, refined highs, full warm mids, and ruler-flat bass to 20Hz.
Corrections
- - Sensitivity corrected from 96 to 107 dB/mW, to match Verum Audio's published specifications; weight added from Verum Audio's specifications.
above 34% of the other reviews in the catalogue
- Standout
- Stunning wooden earcup design with metal cut-out grills
- Watch out for
- 8Ω impedance demands real current from the amplifier
- Better alternative
- HIFIMAN Sundara: has a bigger stage, $50 less, scores 1.0 higher.
Is it for you?
Buy it if
- You want the balance to lean warm, with the top end eased (from the pros: Full, warm, inviting midrange with forward vocals)
Skip it if
- You want every last bit of treble detail
- A desktop amplifier is not on the cards (from the cons: Needs ~2W/ch to truly open up)

Pick #7 of 8 in our Best Headphones Under $500 guide.
Lots of headphones - like ones from HIFIMAN, Beyerdynamic, or Audeze are trying to squeeze as much detail as possible. Verum 1, instead of being overly analytical, bright, and sharp takes a different approach. Let's check it out.
Comma-shaped ABS cups in a comfortable build
This is a stunning-looking headphone. Does it stand out from the crowd? Yeah, maybe a little bit, considering that a lot of headphones nowadays are simply blacked out with no flashy elements. But does it look cheap? Nooo.
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The earcups are made of shockproof ABS, so they aren't real wood, but for durability and maintenance reasons, that's preferable. They are quite large, however their shape is not a circle - that's for a reason. Instead, they are "comma-shaped", or in the shape of a text bubble. Regardless, the reason behind that is closely related to the way the 3.5mm connectors are mounted. They are at an almost 90-degree angle, making them pretty difficult to use with most regular cables. Luckily in the box, you also get a cable that takes full advantage of this design, with matching 90-degree headphone connectors. This smart design makes the cable go out of the way a lot. Since it's brought forward, compared to regular jack connector placement, it is not hitting, or resting directly on your shoulders. That's pretty brilliant until you want to swap the cable with something aftermarket.
Getting back to the headphones, they have fully metal grills, with a nice cut-out design, and a small V in the middle, which is a logo of Verum Audio. The earpads are thick - for both comfort and tuning reasons. They are made of real leather, for a more premium feel. Their shape is angled externally, to better match the human head. Internally the shape is oval, to fit our ears better, than if they were completely round. What's interesting - you can replace the pads in a matter of seconds, as they are magnetically attached. In my opinion, that is a very smart choice.
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For the headband - a unique type of suspension stripe construction has been chosen. It has a real leather strap, that's quite soft and adjusts to my head shape perfectly. Moreover, there's a good amount of swivel around the screw point in the middle. That's an interesting way to make cups rotatable, but hey - it works! Additionally, we get cup tilt, that's pretty much unlimited, for even better seal and comfort.
This headphone comes in 3 color variants - 2 of them have a wooden finish, with different wood types and grill colors, and one of them imitates a carbon fiber look. I'm personally a fan of the wooden ones - they look so good.
A single-ended cable is all that's in the box
Besides the headphones, all we get in the box is the included cable. It is single-ended, however, you can also get its balanced version. It uses two conductors per connection point. It could get away with a single one, and make a good enough job at transferring the signal, but Verum Audio decided to go a step further. Doubling the conductive area surely had some impact on the signal quality getting to the headphones. Skipping its effect on the sound, as I'm sure it's going to make some people mad, it also helps greatly with durability, nicer feeling, and looking more substantial.
The connectors used here seem to be of higher quality than your standard plastic ones because of their fully metal enclosure on both ends. It also uses an aluminum splitter that matches the color-way of this cable perfectly.
A planar driver moved by 28 rare-earth magnets
Verum 1 uses planar magnetic technology - which is definitely less common than dynamic drivers. Instead of having a coil with a suspension and a membrane, it uses magnets. They're moving a super thin diaphragm by varying the electromagnetic fields, which affect the magnetic coating, made of aluminum, on the diaphragm.
This approach allows for more control over the headphone's sound, lower distortion, and potentially larger radiating area. The diaphragm itself is being controlled, and put into motion by 28 rare-earth magnets.
A current-hungry 8 Ω load that scales with power
This headphone's membrane is 82mm in size - trust me, that's a serious number. Most dynamic driver headphones max out at roughly 50mm. Its sensitivity comes at 107dB/mW of power - that's pretty high. On the other hand, the impedance is extremely low - 8 ohms. That's a number, that indicates a high current demand from your amplifier.
Although you might think that lower impedance means easier to drive, which more often than not is true, in this case, it isn't the full story. 8 ohms is unusually low, and while you're surely able to drive it with less powerful sources, because of the high sensitivity, it scales. The more power you provide and the higher its quality, the better the sound quality becomes. The bass becomes more prominent, tight, and accurate. The soundstage gets noticeably wider, and less closed in.
I'd recommend starting with 2 watts per channel, as a good starting point. Nowadays, it's not as difficult for amplifiers to achieve, so you don't have to spend big money on the amplifier itself. Of course, if you do, it helps - you get more refinement and detail - but let's not go crazy, this headphone is priced at $350.
Smooth treble, warm mids and bass flat to 20 Hz
The first thing, that you can immediately hear, and I even asked one of my non-audiophile friends to try it out, just to confirm that I'm not imagining things, is that it sounds very smooth and extremely delicate in the top end. It never ever goes sharp at all. Sometimes the treble seems a little backed off if anything. It is almost impossible to make it sibilant, even with rather bright-sounding source gear, like for example topping offerings. For some, it's going to sound perhaps veiled or lacking clarity, but that's going to be their first impression only. After you spend some time with it, you start appreciating this fact more and it turns into refinement.
The midrange is one of the most important aspects of any audio device in my opinion. Here, it is very full, warm, and inviting, especially with modern vocals. There's a little bit of forwardness, compared to other, perhaps slightly v-shaped competitors on the market. If you're a fan of this lively midrange, here, you get even more of it. When listening to songs that on other gear place the vocalist and the instrumental track equally in the mix, on Verum 1 the instruments seem to be dominating.
The bass extension is pretty much ruler flat down to 20Hz, possibly even lower. Yes, you can hear 20Hz with no problem whatsoever. Not every headphone, and definitely not a lot of dynamic driver headphones can do that. It is one of the aspects where planar magnetic technology truly shows its potential. Regarding bass speed, it is up there. That's quite a fast, snappy-sounding driver, it never approaches any sluggishness. What's surprising, is the long decay, that's not lost despite the rapid driver movements. Usually when a headphone sounds quick in the bass hits, it lacks some decay information, making it somewhat dry, or unrealistic. This phenomenon doesn't occur with Verum 1 for a reason that's probably their secret!
A closed-in soundstage that reaches behind you
Additionally, it's good at placing sounds behind me, not all headphones can do that, usually with head-based listening devices, you get left-to-right and some frontal staging. Here, in some cases, it goes to the back, which reminds me a lot of the Edition XS.
Overall the soundstage is not super wide, it seems pretty closed-in. Not nearly to the HD650 extent, as the Verum 1 can at least get out of your head slightly. I have a feeling it's related to the frequency response, and the upper midrange dip, as I've heard other headphones do that to achieve a sense of spaciousness.
Is the Verum 1 worth the money?
This headphone is a serious contender in its price category. I know that it caused some disruption in the market already, and I know that it will continue to do so unless its price is going to be increased. I'm also aware that Verum Audio is working on a new, even better version called - Verum 2. I'm very excited to see how it goes from there, as their first headphone is packing some serious punch.
Sound signature
Derived from the words this review uses: each axis runs between two opposite descriptors, and the shape leans toward whichever side the writing does.
- Warm ↔ Bright Leans warm
- Relaxed ↔ Analytical Neutral, no clear signal in the review language
- Polite ↔ Aggressive Neutral, no clear signal in the review language
- Lean ↔ Bass-heavy Neutral, no clear signal in the review language
- Intimate ↔ Wide stage Leans intimate
Hear what "warm, intimate" means: a short synthesized loop, flat and then with those leanings. An illustration of the words, not a recording of the Verum 1.
Not sure which signature suits you? Find yours with a blind A/B test
Watch the video review
Subscribe on YouTube (opens in new tab)Prefer to read? The written review above covers everything in the video.
- 0:00 Why So Many Headphones Are TOO BRIGHT? (opens in new tab)
- 0:17 Comfort & Build Quality (Shockproof ABS, 90-degree Connectors, Audiophile-Grade Cable) (opens in new tab)
- 3:40 Technologies (Planar Magnetic Driver, Rare-earth Magnets, Thin Diapgragm, Aluminum Coating) (opens in new tab)
- 4:18 Technical Specs (Large Membrane, Unusually Low Impedance, High Sensitivity, AMP Scaling) (opens in new tab)
- 5:56 Sound Quality (Tonal Balance, Lack Of Sibilance, Refinement, Midrange Warmth, Soundstage) (opens in new tab)
Common questions about the Verum 1
Is the Verum 1 worth $349?
For listeners tired of bright, analytical headphones, it is. The Verum 1 scored 8.0/10, Recommended, for treble that's almost impossible to make sibilant, a full, warm midrange and bass that stays flat to 20 Hz, fast but with a long decay. Plan on an amp with real current, since it needs about 2 W per channel to open up, and expect a fairly closed-in soundstage.
Who is the Verum 1 for?
Treble-sensitive listeners, and anyone who wants full, slightly forward vocals and deep, quick bass from an open-back planar at this price. Look elsewhere if you want a wide, airy soundstage or crisp, forward treble, or if a phone is your only source, since it needs a capable amp to sound its best. Owners of aftermarket cables should check the 90-degree connectors first.
Does the Verum 1 need a powerful amp?
To sound its best, it does. The 8 Ω load is unusually low and asks for real current, and the Verum 1 scales hard: give it more power, and cleaner power, and the bass grows more prominent, tight and accurate while the soundstage widens noticeably. Start at about 2 W per channel, which doesn't take an expensive amp these days, though spending more still adds refinement and detail. Its high sensitivity means volume alone needs very little. For volume alone, it takes about 2.0 mW to reach 110 dB peaks.
What should I consider instead of the Verum Audio Verum 1?
Two rivals have a full comparison page: the Sivga Luan scores 0.1 higher and costs $50 less and the Sivga Anser scores the same and costs $150 less. The head-to-head section below links each one.
Does the Verum 1's treble sound veiled?
At first it can. The top end is very smooth and delicate, never turns sharp and is almost impossible to make sibilant, even with bright-sounding source gear, and at times it seems a little backed off. A non-audiophile listener confirmed the smoothness. Some people will hear that as veiled or lacking clarity on first listen, but with time it comes across as refinement.
Are the Verum 1's earcups made of real wood?
They aren't. The cups are shockproof ABS, a better choice than wood for durability and maintenance. Two of the three color options carry a wood finish, with different wood types and grill colors, and the third imitates carbon fiber. The pads are real leather, thick for comfort and tuning, and they attach magnetically, so swapping them takes seconds.
Can you use aftermarket cables with the Verum 1?
Most regular cables are awkward on it. The 3.5 mm sockets sit at almost 90 degrees in the comma-shaped cups, which brings the cable forward and off your shoulders but leaves few options besides the included cable with matching right-angle plugs. That stock cable is single-ended, with two conductors per connection point, metal plugs and an aluminum splitter. A balanced version is sold separately.
Does the Verum 1 have a wide soundstage?
Not especially. The stage is fairly closed-in, though it gets slightly out of your head and is far less confined than an HD650's. It can also place sounds behind you, which not every headphone manages and which recalls the Edition XS. More amplifier power widens it noticeably.
Sources
- IEC 60268-7: Headphones and earphones
Standard · International Electrotechnical Commission · Paid full text
The headphone standard: how impedance, sensitivity and frequency response are specified and measured.
- UNSW: Voice acoustics, an introduction to the science of speech and singing
Reference · UNSW Sydney
How the voice makes an "s": the turbulent, broad-band hiss of a fricative, the sound a sibilant headphone or microphone exaggerates.
Discussed in Smooth treble, warm mids and bass flat to 20 Hz
- Sakamoto et al. (2014): Experimental study on hearing thresholds for low-frequency pure tones
Paper · Acoustical Society of Japan
Measured hearing thresholds for low-frequency tones: why the bottom octave needs far more level to be heard than the midrange.
Discussed in Smooth treble, warm mids and bass flat to 20 Hz
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