Verum 1 Review: The Planar That's Scared of Treble

Lots of headphones - like ones from HiFiMan, Beyerdynamic, or Audeze are trying to squeeze as much detail as possible. Verum 1, instead of being overly analyticalA presentation that prioritizes detail retrieval and accuracy over harmonic richness; analytical systems reveal flaws clearly but may lack emotional engagement., bright, and sharp takes a different approach. Let’s check it out.

Comfort & Build Quality

This is a stunning-looking headphone. Does it stand out from the crowd? Yeah, maybe a little bit, considering that a lot of headphones nowadays are simply blacked out with no flashy elements. But does it look cheap? Nooo.

The earcups are made of shockproof ABS, so they aren’t real wood, but for durability and maintenance reasons, that’s preferable. They are quite large, however their shape is not a circle - that’s for a reason. Instead, they are “comma-shaped”, or in the shape of a text bubble. Regardless, the reason behind that is closely related to the way the 3.5mm connectors are mounted. They are at an almost 90-degree angle, making them pretty difficult to use with most regular cables. Luckily in the box, you also get a cable that takes full advantage of this design, with matching 90-degree headphone connectors. This smart design makes the cable go out of the way a lot. Since it’s brought forwardA tonal character with elevated upper midrange or lower treble that pushes vocalists and lead instruments ahead of the mix; can sound exciting or fatiguing., compared to regular jack connector placement, it is not hitting, or resting directly on your shoulders. That’s pretty brilliant until you want to swap the cable with something aftermarket.

Getting back to the headphones, they have fully metal grills, with a nice cut-out design, and a small V in the middle, which is a logo of Verum Audio. The earpads are thick - for both comfort and tuning reasons. They are made of real leather, for a more premium feel. Their shape is angled externally, to better match the human head. Internally the shape is oval, to fit our ears better, than if they were completely round. What’s interesting - you can replace the pads in a matter of seconds, as they are magnetically attached. In my opinion, that is a very smart choice.

For the headband - a unique type of suspension stripe construction has been chosen. It has a real leather strap, that’s quite soft and adjusts to my head shape perfectly. Moreover, there’s a good amount of swivel around the screw point in the middle. That’s an interesting way to make cups rotatable, but hey - it works! Additionally, we get cup tilt, that’s pretty much unlimited, for even better seal and comfort.

This headphone comes in 3 color variants - 2 of them have a wooden finish, with different wood types and grill colors, and one of them imitates a carbon fiber look. I’m personally a fan of the wooden ones - they look so good.

Cable and Accessories

Besides the headphones, all we get in the box is the included cable. It is single-endedAn amplifier configuration using one output device for the complete audio waveform; produces even-order harmonic distortion considered "euphonic" by many., however, you can also get its balancedA signal transmission method using two opposite-polarity signal lines plus a ground; noise induced on both lines is cancelled at the differential input. version. It uses two conductors per connection point. It could get away with a single one, and make a good enough job at transferring the signal, but Verum Audio decided to go a step further. Doubling the conductive area surely had some impact on the signal quality getting to the headphones. Skipping its effect on the sound, as I’m sure it’s going to make some people mad, it also helps greatly with durability, nicer feeling, and looking more substantial.

The connectors used here seem to be of higher quality than your standard plastic ones because of their fully metal enclosure on both ends. It also uses an aluminum splitter that matches the color-way of this cable perfectly.

Technologies

Verum 1 uses planar magneticA driver using a thin membrane with embedded conductors suspended between magnets, producing sound from the entire surface for very low distortion. technology - which is definitely less common than dynamic drivers. Instead of having a coil with a suspension and a membrane, it uses magnets. They’re moving a super thin diaphragmThe vibrating membrane in a transducer that converts between electrical energy and acoustic waves; its mass, stiffness, and damping determine driver character. by varying the electromagnetic fields, which affect the magnetic coating, made of aluminum, on the diaphragm.

This approach allows for more control over the headphone’s sound, lower distortion, and potentially larger radiating area. The diaphragm itself is being controlled, and put into motion by 28 rare-earth magnets.

Technical Specifications

This headphone’s membrane is 82mm in size - trust me, that’s a serious number. Most dynamic driverThe most common transducer type, using a voice coil in a magnetic gap to push a cone or dome diaphragm - the same principle as a traditional loudspeaker. headphones max out at roughly 50mm. Its sensitivityThe output sound pressure level for a standardized input - typically dBSPL at 1W/1m for speakers, or dBSPL at 1mW or 1V for headphones. comes at 96dB/mW of power - that’s pretty high. On the other hand, the impedanceThe total opposition (resistance + reactance) a speaker or headphone presents to the driving current, measured in ohms and varying with frequency. is extremely low - 8 ohms. That’s a number, that indicates a high current demand from your amplifier.

Although you might think that lower impedance means easier to drive, which more often than not is true, in this case, it isn’t the full story. 8 ohms is unusually low, and while you’re surely able to drive it with less powerful sources, because of the high sensitivity, it scales. The more power you provide and the higher its quality, the better the sound quality becomes. The bass becomes more prominent, tight, and accurate. The sound stageShort for soundstage; the perceived three-dimensional acoustic space of a stereo recording. Often used to describe headphone presentation specifically ("the Arya has a deep stage"). gets noticeably wider, and less closed in.

I’d recommend starting with 2 watts per channel, as a good starting point. Nowadays, it’s not as difficult for amplifiers to achieve, so you don’t have to spend big money on the amplifier itself. Of course, if you do, it helps - you get more refinement and detail - but let’s not go crazy, this headphone is priced at $350.

Sound Quality

The first thing, that you can immediately hear, and I even asked one of my non-audiophile friends to try it out, just to confirm that I’m not imagining things, is that it sounds very smooth and extremely delicate in the top end. It never ever goes sharp at all. Sometimes the treble seems a little backed off if anything. It is almost impossible to make it sibilant, even with rather bright-sounding source gear, like for example topping offerings. For some, it’s going to sound perhaps veiled or lacking clarity, but that’s going to be their first impression only. After you spend some time with it, you start appreciating this fact more and it turns into refinement.

The midrangeThe frequency range from approximately 250Hz to 5kHz where most musical information, vocals, and instrument fundamentals reside. is one of the most important aspects of any audio device in my opinion. Here, it is very full, warm, and inviting, especially with modern vocals. There’s a little bit of forwardness, compared to other, perhaps slightly v-shaped competitors on the market. If you’re a fan of this lively midrange, here, you get even more of it. When listening to songs that on other gear place the vocalist and the instrumental track equally in the mix, on Verum 1 the instruments seem to be dominating.

The bass extensionHow low in frequency a system accurately reproduces sound; good bass extension means 20Hz output, not just 60Hz. is pretty much ruler flat down to 20Hz, possibly even lower. Yes, you can hear 20Hz with no problem whatsoever. Not every headphone, and definitely not a lot of dynamic driver headphones can do that. It is one of the aspects where planar magnetic technology truly shows its potential. Regarding bass speed, it is up there. That’s quite a fast, snappy-sounding driver, it never approaches any sluggishness. What’s surprising, is the long decay, that’s not lost despite the rapid driver movements. Usually when a headphone sounds quick in the bass hits, it lacks some decay information, making it somewhat dry, or unrealistic. This phenomenon doesn’t occur with Verum 1 for a reason that’s probably their secret!

Soundstage and Imaging

Additionally, it’s good at placing sounds behind me, not all headphones can do that, usually with head-based listening devices, you get left-to-right and some frontal staging. Here, in some cases, it goes to the back, which reminds me a lot of the Edition XS.

Overall the soundstageThe perceived three-dimensional acoustic space in a stereo recording - width beyond the speakers, depth front-to-back, and sometimes height information. is not super wide, it seems pretty closed-in. Not nearly to the HD650 extent, as the Verum 1 can at least get out of your head slightly. I have a feeling it’s related to the frequency responseA graph showing output amplitude vs. frequency - the most fundamental measurement of any audio component's tonal character., and the upper midrange dip, as I’ve heard other headphones do that to achieve a sense of spaciousness.

Conclusion

This headphone is a serious contender in its price category. I know that it caused some disruption in the market already, and I know that it will continue to do so unless its price is going to be increased. I’m also aware that Verum Audio is working on a new, even better version called - Verum 2. I’m very excited to see how it goes from there, as their first headphone is packing some serious punchBass impact in the 60-150Hz region - the chest-thump of a kick drum or the snap of a slap-bass note. Distinct from slam, which extends lower; punch is about the leading edge of bass transients, not the depth..